{
"version": "1.0",
"query": {
"text": null,
"operator": "and",
"filters": [
{
"field": "subfield",
"op": "eq",
"value": "Art history, theory and criticism",
"evidence": null
}
],
"evidence_policy": "broad"
},
"sort": null,
"page": {
"size": 25
}
}ZivaHub + Deakin Research Online + DMU Figshare2026 · dataset · unknown
Privately Commissioned Paintings in Florence and Venice during the Renaissance – A System of Patronage and Art Collecting<p dir="ltr">The aim of this research is to investigate which types of images were present in private homes in Venice and Florence during the sixteenth century, the motivations behind their popularity, and how these choices reflected broader social and cultural trends. While patronage itself has often been studied, a comprehensive contextual analysis of private patronage has not been fully explore
ZivaHub + Deakin Research Online + DMU Figshare + UCL Research Data Repository2026 · dataset · unknown
Re-imagining ruins: a practice-based study on perceptions of place in contemporary Ireland using analogue visual technologiesThis practice-based doctoral research project contributes to a new understanding of Ireland’s contemporary ruins by responding to the landscape of abandoned building sites created in the wake of the collapse of Ireland’s Celtic Tiger economy in the late 2000s. Through an artistic practice encompassing film and photography, the research explores how art and creative practice can respond to this con
ZivaHub + Deakin Research Online + DMU Figshare + UCL Research Data Repository2026 · dataset
Horizontal hills: a creative historical geography of the emergence of contour lines in nineteenth-century Britain and Ireland: a creative historical geography of the emergence of contour lines in nineteenth-century Britain and IrelandNow taken for granted, the history of the contour line’s emergence onto British maps was tortuous and contentious. This thesis explores the contingent twists and turns of that history by examining the surveying and drawing practices of the Ordnance Survey in Britain and Ireland. It pulls into focus the novel transition from drawing hills in ‘the vertical style’, to what were termed ‘horizontal’ me
ZivaHub + Deakin Research Online + DMU Figshare2026 · dataset
Devotion, and the queer body in elegy: two approachesThis thesis explores the depictions of the queer body in elegy pertaining to the North American experience of the HIV/AIDS pandemic. The study explores how the elegy has developed in line with the explicit acknowledgment of queer lives, and how the interventions of two American poets – Mark Doty and Marie Howe – are particularly significant, and deeply different from one another in their aesthetic
ZivaHub + Deakin Research Online + DMU Figshare2026 · dataset
From ‘yellow foam’ to ‘black serpents’: Oscar Wilde and colour at the fin de siècleThis thesis develops the nascent field of Oscar Wilde and colour by mapping Wilde’s engagement with colour against debates about the nature of Wilde’s aestheticism and his involvement in the nineteenth–century marketplace. Through a historicist–informed, formalist reading of a selection of his poetry, prose, and drama from 1889 to 1894 it intervenes in discussions about Wilde’s aesthetic philosoph
ZivaHub + Deakin Research Online + DMU Figshare2026 · dataset · unknown
The way of Zen: representing Zen through cinematic audiovisual languageThis study explores how the audiovisual language of cinema can embody the abstract aesthetics of Zen through a series of experimental creative practices and the production of a documentary film, combined with analyses of previous Zen-themed films and related literature. Adopting a practice-as-research methodology, the study comprises multiple audiovisual experiments inspired by Zen aesthetics, exp
ZivaHub + Deakin Research Online + DMU Figshare2026 · dataset
The Aesthetics of subtitling practice. A case study of <i>The Secret Life of Walter Mitty</i> for Chinese audiencesCurrent research on creative subtitling has been largely developed within Western audiovisual translation contexts, particularly through the work of Rebecca McClarty, with limited attention paid to how creative subtitling might function within non-Western spectatorship cultures and writing systems. Meanwhile, Chinese audiences are extensively exposed to subtitles and graphic on-screen text across
ZivaHub + Deakin Research Online + DMU Figshare2026 · dataset · unknown
Synthetic feelings: disembodied voices in a virtual worldThis thesis retroactively looks at my conceptual moving image artworks, using speculative strategies to examine them. It asks: What happens when we use speculative methods to propose “what if” or “let’s say” scenarios? What if we treat the video works made during the PhD as critical and poetic sites of inquiry? This project began with my voice - Irish, neurodivergent, queer, non-binary, shaped by
ZivaHub + Deakin Research Online + DMU Figshare2026 · dataset
Laura Riding's sculptural modernismThis thesis considers the work of Laura Riding through a sculptural lens. It situates Riding within her modernist contexts and seeks to move beyond recovery-focused critical engagements with Riding by theorizing and examining the sculptural poetics of her work. Using the sculptural as a metaphorical means of engaging with Riding’s poetry generates various ‘ways in’ to this often-difficult poet and
ZivaHub + Deakin Research Online + DMU Figshare2026 · dataset
Ekler (Dehadan Veri Profiline Sanatçı İmgesi)<p dir="ltr">"Dehadan veri profiline Sanatçı İmgesi" başlıklı makalenin ekler bölümü çevrimiçi olarak sunulmuştur. </p>
ZivaHub + Deakin Research Online + DMU Figshare + UCL Research Data Repository2026 · dataset · unknown
Trending in the margins: contemporary art from Nigeria in the global marketsEarlier studies have established that the value of art is socially constructed in the global markets. Drawing on the artistic field, feminist and post-colonial theories; this research explored the circumstances regarding the relative international obscurity and under-representation of contemporary art from Nigeria by examining the extent of its internationalisation and what accounts for the prevai
ZivaHub2026 · dataset
PARDON THE INTERRUPTION: Narrative and Poetic Interruption in Contemporary Cinema and PoetryThis thesis investigates what I call the "poetic interruption" across two artistic mediums: film and poetry. Drawing from Gilles Deleuze's concept of the time-image in his Cinema books, I examine five films and four works of narrative poetry which employ poetic interruption. Then, in the creative component, I have written a work of poetry which also functions as a screenplay (or vice-versa) in ord
ZivaHub + Deakin Research Online2026 · dataset
Visibility, Power, and the Battle for Truth in an AI Age<p dir="ltr">Visual journalism has always been a subjective practice involving questions of power. Whether conveyed through photographs, videos, illustrations, or as data, visual journalism is the process of making some elements more visible and others less so. The means by which this happens and how certain people, topics, or events are shown and represented carries symbolic and political weight.
ZivaHub2026 · dataset
Social Relations anmd Street Art - Falko one's Once Upon a time project<p dir="ltr">his paper examines South African graffiti artist Falko One’s <i>Once Upon a Town</i> project, focusing specifically on its intervention in the Underberg region of KwaZulu-Natal. Developed in collaboration with Red Bull South Africa, the project sought to transform walls and homes in rural communities into sites of public art while, according to Falko, changing local perceptions of val
ZivaHub2026 · dataset
Leonardo's Cat<p dir="ltr">Leonardo da Vinci & Luca Pacioli. Dream I: A rhythm, a verse. He dreamt. Leonardo lay on white linen and a sparkling beam of light spread through, right up to the ceiling of his room. He dreamt of diamond shapes and spaces, always equally differentiated between individual lines, which merged to form a turquoise to pinkish looking structure. The discretion into the interplay of numbers
Nantes Open Data Portal2026 · dataset
Agenda des animations culturelles de la Bibliothèque Municipale de la ville de NantesAnimations du réseau des bibliothèques et médiathèques de la ville de Nantes : expositions, conférences, rencontres, lectures, spectacles, concerts, ateliers, projections, séances de contes, clubs de lecteurs, ... Les données indiquent les dates, lieux, descriptifs et éventuels tarifs des animations.
ZivaHub2026 · dataset
Mandala y Futbol<p dir="ltr">Nuevas formas de ver el arquetipo del mandala en movimiento en el campo del fútbol </p>
figshare + Loughborough Research Repository2026 · Astronomical catalogue
[Well] Not Being - Ripping<p dir="ltr"><i>[Well] Not Being</i> was a collaborative performance drawing exploring mothering.</p><p dir="ltr">© Yonat Nitzan-Green</p>
figshare + Loughborough Research Repository2026 · Astronomical catalogue
Archive drawing - Kaleidoscopic view<p dir="ltr"><i>Archive drawing</i> - <i>Kaleidoscopic view</i> (2021) explored embodied maternal knowledge, specifically, seeing in movement. A scarf wrapped around a mobile camera that was moving above a large digital print created the effect of seeing through semi transparent layers, recalling the amniotic sac's membranes. The print is a collection of Nitzan-Green's archival images composed as
figshare + Loughborough Research Repository2026 · Astronomical catalogue
[Well] Not Being - Birthing<p dir="ltr">This is a Practice-led Fine Art PhD research. The key research question is: How might drawing help understand maternal subjectivity in its entanglement with pregnancy and intersection with immigrant mothering? A hybrid of methodologies is used, comprised of Action research, Autoethnography, and drawing where the methodology is embedded in the practice. Yonat Nitzan-Green developed a t
figshare2026 · Astronomical catalogue
Letter from My Mother - Drawing as Storytelling (20 mins)<p dir="ltr">How can a feminist informed praxis of drawing bring new interpretations to Moilly Bloom, the main female character in James Joyce's Ulysses? This is a twenty minute presentation marking a collaboration between the Storytelling Academy and The Drawing Research Network at Loughborough University. It tells the story of a letter i received from my mother which unexpectedly fell in my path
ScienceDB2026 · dataset
Artistic Practices in Hecheng CommunityThese are the data for the Artistic Practices in Hecheng Community
ScienceDB2026 · dataset · restricted
Visual Cover and Conceptual Illustration for the Xu Hao Observation Paradox and the Optical Prison TheoryThis dataset contains the official conceptual illustration for the Xu Hao Observation Paradox and the Optical Prison Theory. The artwork visualizes the core idea of the "optical prison"—a spherical barrier formed by light that traps human observation, with the ultimate statement "Light allows us to see, yet also blinds us." It serves as the official visual symbol for the
University of Warsaw Research Data Repository2026 · dataset · unknown
Textual and visual sources related to the publication: In search of the right 'vibe'. Socialization in (trans)national memory and visual cultures and its impact on the perception of Holocaust exhibitions in Poland and GermanyDANS Data Station Social Sciences and Humanities2026 · dataset · unknown
Interview with Jos van Och, Online, 12 January 2026As part of the Oral History course, an interview with Jos van Och, former paintings conservator at SRAL in Maastricht, was held online. His career and experiences were discussed.