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Data · dataset · 2026

Digital cinema and the legacy of George Lucas

Listed in ZivaHub and Deakin Research Online and DMU Figshare and UCL Research Data Repository — shown once because both records carry DOI 10.17034/32631519.v1

Cinema history is strewn with moments of significant upheaval inextricably tied to the ontological evolution of the medium.

Description

Reappraising how we have defined and discussed cinema reveals a gradual process of growth often fraught with both anxiety and optimism. However, cinema’s latest technological advancement appears to have generated particularly vociferous discussion.

This thesis re-assesses the perceived threat of digitisation to understand what exactly sets it apart from those preceding it.<br><br>The research considers cinema’s latest mutation by placing George Lucas at its core. Although he is a significant figure in cinema history, critical studies of Lucas are dominated by Star Wars, a topic which overshadows retrospective discussions about the wider legacy of his career. As such, I seek to build upon the paucity of material focusing on his role as figurehead of the digital filmmaking revolution.

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I cite a range of frequently overlooked and underappreciated primary sources like interviews and testimonies in order to construct a framework within which the subsequent analysis operates. This Lucas-centric approach offers a unique perspective on the digital cinema debate by directly engaging with one of its most vocal proponents.<br><br>The first core research question queries why the digital turn has generated such widespread apprehension for the future of cinema.

In order to determine the extent of his influence, it then considers the role Lucas played in pioneering the digital filmmaking technology which has precipitated the digital turn. The thesis then questions how this technology has facilitated the broader democratisation of filmmaking, as well as its wider effects, before finally exploring how the digital turn has affected the use of paratextual material in both the narrative and promotional extrusion of the film text.

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Where it is published

Catalogue records · 1

Topics

Inferred from text
Cinema studies 77% · Text 75%
Provenance · 4 source records, 14 field assertions
SourceKeyLast seenRaw
ZivaHuboai:figshare.com:article/326315195 d agoJSON v1
Deakin Research Onlineoai:figshare.com:article/326315195 d agoJSON v1
DMU Figshareoai:figshare.com:article/326315195 d agoJSON v1
UCL Research Data Repositoryoai:figshare.com:article/326315195 d agoJSON v1
FieldAssertionExtractorEvidence
concepts[field].anzsrc:field:360501enrichment · zivahub uct ac zataxonomy-embedding@1.1.0title+keywords+description (77%)
concepts[field].local:field:earth-environmentalmapping · dro deakin edu auconnector:dro_deakin_edu_au@1.0.0
concepts[field].local:field:earth-environmentalmapping · rdr ucl ac ukconnector:rdr_ucl_ac_uk@1.0.0
concepts[field].local:field:earth-environmentalmapping · figshare dmu ac ukconnector:figshare_dmu_ac_uk@1.0.0
concepts[field].local:field:earth-environmentalmapping · zivahub uct ac zaconnector:zivahub_uct_ac_za@1.0.0
concepts[field].local:field:humanitiesmapping · dro deakin edu auconnector:dro_deakin_edu_au@1.0.0
concepts[field].local:field:humanitiesmapping · zivahub uct ac zaconnector:zivahub_uct_ac_za@1.0.0
concepts[field].local:field:humanitiesmapping · figshare dmu ac ukconnector:figshare_dmu_ac_uk@1.0.0
concepts[field].local:field:humanitiesmapping · rdr ucl ac ukconnector:rdr_ucl_ac_uk@1.0.0
concepts[modality].local:modality:textenrichment · zivahub uct ac zakeyword-concept-rules@1.0.0title+description (75%)
descriptionsource · zivahub uct ac zaconnector:zivahub_uct_ac_za@1.0.0/metadata/dc/description
license_textsource · zivahub uct ac zaconnector:zivahub_uct_ac_za@1.0.0
publication_datesource · zivahub uct ac zaconnector:zivahub_uct_ac_za@1.0.0
titlesource · zivahub uct ac zaconnector:zivahub_uct_ac_za@1.0.0/metadata/dc/title