Exploring and cultivating connections within ecosystems of inclusive musicking: moving towards sustained access to music

Project

Northern Ireland, collaborate with the author to design novel musical instruments that address their unique access barriers in music-making. The author captures this activity through three qualitative ethnographic case studies that document the design and development of the instruments and their use by the musicians. The One Handed Musical Instrument Trust collaborates in one case study,where the application of novel accessible digital musical instruments is explored in a private music tuition context.

The author argues that, for the three musicians, inclusion in music is not achieved solely by providing a seemingly accessible instrument but by social connections in a broader ecosystem of facilitators, musicking processes and additional artefacts such as companion music technologies. The author finds it vital to acknowledge his embedded role within the musicians' ecosystem that resulted from his research and instrument design activities.

He was a significant contributor to supporting the novel instruments' long-term use in providing access to music. This research occurred during the coronavirus pandemic, which limited the musicians' participation in the design process. However, this situation further supports the claim that supportive, inclusive music ecosystems are vital in bringing musicians access to music.