← Search

Data · dataset · 2026

Profanity and policy: investigating the subtitling of taboo and offensive language from English into Arabic on Netflix

Listed in ZivaHub and Deakin Research Online and DMU Figshare — shown once because both records carry DOI 10.17034/32805098.v1

This thesis investigates the subtitling of offensive and taboo language from English into Arabic on Netflix, focusing on how global translation policies interact with Arab cultural and religious norms.

Description

While Netflix’s official subtitling guidelines promote direct and uncensored subtitles of dialogue, Arab subtitlers traditionally operate within conservative frameworks that favour omission, euphemisation, or cultural substitution.

This tension provides a rich context for examining how subtitling norms evolve within globalised audiovisual media. <br> <br>Grounded in Toury’s (1995/2012) Descriptive Translation Studies and Brown and Levinson’s (1987) Politeness Theory, and drawing on Ávila-Cabrera’s (2023) taxonomy of taboo and offensive language, this thesis identifies and analyses the operational norms (subtitling strategies) applied in Arabic Netflix subtitles.

Read the rest (2 more)

It compares Netflix’s subtitling policy, as stated in its Arabic Timed Text Style Guide, with traditional Arab subtitling norms to determine whether Netflix Arabic subtitles tend to follow adequacy-oriented strategies (prioritising fidelity to the source text) or acceptability-oriented strategies (prioritising cultural and social norms). <br> <br>The analysis is based on 909 English–Arabic “coupled pairs” of taboo and offensive expressions extracted manually from two Netflix original series, Orange Is the New Black and Grace and Frankie.

The results <br>reveal that adequacy-oriented strategies dominate (68.21%) compared to acceptability-oriented ones (31.79%). Literal translation (33.88%) and dysphemism (21.90%) are the most frequently used strategies, showing a marked departure from traditional Arab subtitling practices. Conversely, omission appears in only 4.84% of cases, highlighting a major shift in Arab audiovisual translation norms. <br> <br>This thesis contributes to the growing body of Arabic audiovisual translation research by evidencing a gradual movement away from euphemisation towards greater textual fidelity, shaped by the institutional influence of global streaming platforms like Netflix. <br><br><i>Thesis is embargoed until 31 December 2030.</i>

Links

Where it is published

Catalogue records · 1

Topics

Inferred from text
Text 75%
Provenance · 3 source records, 9 field assertions
SourceKeyLast seenRaw
ZivaHuboai:figshare.com:article/3280509813 d agoJSON v1
Deakin Research Onlineoai:figshare.com:article/3280509813 d agoJSON v1
DMU Figshareoai:figshare.com:article/3280509813 d agoJSON v1
FieldAssertionExtractorEvidence
access_levelsource · zivahub uct ac zaconnector:zivahub_uct_ac_za@1.0.0
concepts[field].local:field:earth-environmentalmapping · figshare dmu ac ukconnector:figshare_dmu_ac_uk@1.0.0
concepts[field].local:field:earth-environmentalmapping · dro deakin edu auconnector:dro_deakin_edu_au@1.0.0
concepts[field].local:field:earth-environmentalmapping · zivahub uct ac zaconnector:zivahub_uct_ac_za@1.0.0
concepts[modality].local:modality:textenrichment · zivahub uct ac zakeyword-concept-rules@1.0.0title+description (75%)
descriptionsource · zivahub uct ac zaconnector:zivahub_uct_ac_za@1.0.0/metadata/dc/description
license_textsource · zivahub uct ac zaconnector:zivahub_uct_ac_za@1.0.0
publication_datesource · zivahub uct ac zaconnector:zivahub_uct_ac_za@1.0.0
titlesource · zivahub uct ac zaconnector:zivahub_uct_ac_za@1.0.0/metadata/dc/title